About

Nestled on a corner lot, this enchanting Mediterranean-style stucco dwelling transports you to a bygone era. Its two-story hipped roof bay, flanked by one-story wings and a rear two-story gabled wing, paints a picture of architectural elegance. The clay tile roof crowns the structure, its eaves gracefully overhanging. A ball finial adorns the apex, overseeing a stucco chimney that stands like a sentinel.

The textured stucco walls, adorned with a captivating fishscale motif, hold tales of craftsmanship. The central bay boldly projects, boasting paired 6/1-light windows on the upper story, each framed by a wrought iron balconette. The entrance, a deeply inset flattened arch, welcomes guests through a vertical board door flanked by multi-light windows with pebble glass.

As you explore, a journey unfolds. The north wall of a one-story gabled wing beckons with a round-arched louvered vent, while an east-facing entrance with a wrought iron balustrade hints at hidden stories. The west end reveals a tripartite window, a play of 6/1-light windows embracing a sash and transom window.

A projecting gabled roof wing intersects the house at the rear, unveiling an enclosed bay with double vertical board doors. Above, a balcony with a wrought iron balustrade and a fiberglass roof adds a touch of charm. The north wall showcases a tripartite window and, at the west end, a triple window with six 1-light windows, framing the dance of light within.

Venture inside, and the narrative continues. The sunroom floor and fireplace boast original Van Briggle tile, a testament to the passage of time. The El Paso County Assessor dates this masterpiece to 1927, a creation of Benjamin Lefkowsky, a Russian émigré and a man of many talents.

Benjamin’s story unfolds – an artist, businessman, and adventurer, he sought refuge in Colorado Springs for its climate and artistic allure. Purchasing the old Hagerman property and adjoining acres, he carved streets into the landscape, creating Park Terrace and Zyder Zee. The house stood as a testament to his vision, overlooking Monument Valley and the mountains.

A journey through time reveals occupants like R.C. Jones and the Will family, their lives intertwined with the house’s history. Vacant periods punctuate its past until, in 1965, Henry C. and Dorothy Duffield found solace within its walls.

This house, a testament to Benjamin Lefkowsky’s vision, stands as a well-preserved masterpiece of the Mediterranean Revival style. From its tile roof to the wrought iron balustrades, it whispers stories of an era gone by, beckoning to be remembered and cherished, a potential candidate for the National Register.


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