About

The Windmill House at 615 Zyder Zee is a Dutch-inspired example of Mediterranean Revival architecture. It is an irregular shape that appears to have the same interior layout as the two dwellings to the south. There’s a two-story gable end to the south with a cantilevered balcony over the front door. Attached on the north is a one-story wing with a hipped roof gable. A three-story octagonal tower forms a windmill shape at the southeast corner of the house. A brick chimney sits near the center of the house. At the north end of the wing, a garage door has been replaced by sliding glass doors. A north wall displays a curvilinear shape.

The building occupies 876 square feet on a 7,500 square foot lot, with another 747 square feet above. There is no basement. Monument Street is adjacent to the north, and Monument Valley Park is to the west. There is a shared gravel driveway flanked by two gateway pillars that provide vehicular access to all three properties.

Nestled against the backdrop of Monument Park, the irregularly-shaped stucco house stands as a testament to a bygone era, a canvas painted by the hands of Russian artist and real estate visionary Benjamin Lefkowsky in the roaring 1920s. A work of architectural art, the west-facing dwelling is a captivating blend of late 19th and 20th Century Revivals, specifically the enchanting Mediterranean Revival style.

As the sun sets in the west, the house reveals its distinctive features—a façade adorned with a two-story front gable roof bay to the south and a one-and-a-half-story wing to the north, sporting a charming gable roof dormer. Smooth stucco clads the walls, extending gracefully to the foundation, while a central brick chimney punctuates the composition roofing. The windows, adorned with brick sills, frame a narrative of their own.

The front gable, a pedimented masterpiece, boasts a round vent on its face, while the second story unfolds a story of its own with a cantilevered shed roof balcony supported by oversized, decoratively shaped wood braces. A delicate fabric covers the balcony roof, held in place by wrought iron balustrades and supports. Sliding doors face the balcony, inviting tales of evenings spent under the stars.

As we venture through the architectural marvel, we encounter a round-arched entrance flanked by two small round-arched four-light windows, all contributing to the allure of the first story. A wing to the north unveils its own secrets—a small gable roof stucco dormer with a single-light window and shutters, a testament to the intricate detailing that defines Lefkowsky’s creations.

The south wall of the front gabled bay hosts windows on both stories, while an eastward projection reveals a three-story stucco bay culminating in an octagonal third-story tower crowned by a whimsical ball finial. The tower window gazes westward, capturing the essence of Monument Park. The lower wall of the bay features windows with brick sills, creating a harmonious interplay of light and shadow.

The enchanting journey continues with a glimpse of the rear wall—an entrance with a security door illuminated by a whimsical metal lantern. The north wall of the north projecting wing offers a curvilinear-shaped parapet with a contrasting coping, a round vent at its apex, and two single-light windows sharing a brick sill and adorned with shutters.

Venturing beyond the architectural beauty, we discover a historical narrative that ties the house to the visionary Benjamin Lefkowsky. A man of diverse talents, from art photography in St. Petersburg to soldiering in the Russian czar’s Hussars, Lefkowsky’s journey led him to Galveston, Texas, and eventually to Colorado Springs. Acquiring the James J. Hagerman property and five acres of undeveloped land, Lefkowsky sculpted the area, giving birth to Park Terrace and Zyder Zee. The landscape, cited as “one of the show places of the region,” overlooks Monument Valley and the mountains.

This house was the largest built on Zyder Zee. Lefkowsky found it difficult to find buyers. Its construction was well publicized, and nearby homes were seldom vacant, but the Lefkowskys printed two real estate advertisements in September 1926 and March 1927. Lefkowsky himself was the occupant of record in the 1929 City Directory.

Through the pages of time, the house changed hands—from the Lefkowskys to residents like Minnie Britain, Robert A. and Irene MacDonald, and M. Wilber and Blanche S. McBroom. Each chapter unfolds, revealing the diverse stories woven into the fabric of this Mediterranean Revival gem.

Despite the alterations witnessed since 1985—modifications to the entrance, replacement of doors, and updates to windows—the house stands as a living testament to an era of artistic vision and landscape appreciation. In the dance between history and evolution, this residence, though altered, remains an integral part of the potential historic district—the North Cascade Residential District. A piece of Lefkowsky’s legacy, it beckons admirers to delve into the rich tapestry of its past, each modification adding a layer to its ever-evolving story.


Timeline

  • Newspaper drawing published in the Gazette Telegraph of the Robin's Nest home.
  • Newspaper photograph of the Wind Mill house in Colorado Springs published by the Gazette Telegraph
    Newspaper drawing published by the Gazette Telegraph of The Robin's Nest located at 611 Zyder Zee in Colorado Springs

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